Anyways, I succeeded and is even more close with that friends. We also use third-party cookies that help us analyze and understand how you use this website. AUSTRALIAN cinema has traditionally pictured Aboriginal people in three ways. In Darwin, Lorrpu tries to convince Dawu that Botj is rehabilitated, but Dawu does not believe him.
Petrol moves from the lungs to the bloodstream and into the brain.
Young Indigenous people sometimes find it difficult to reconcile their place within their Indigenous community with an involvement in mainstream Australian society.
It took months of negotiations with local elders to arrange permission to film at this site.
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Yolngu Boy is a 2001 Australian coming-of-age film directed by Stephen Johnson and starring Sean Mununggurr, John Sebastian Pilakui, and Nathan Daniels.
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Set among the Yolngu community, located in north-east Arnhem Land, Yolngu Boy takes as its central theme the issue of identity for young adolescent Aboriginal men. After being initiated together and growing up together, troubled natural born leader Botj (Sean Mununggurr), conservative and traditionalist Lorrpu (John Sebastian) and football loving ladies' man Milika (Nathan Daniels) are transitioning from childhood to adulthood.
Lorrpu must weigh up his own future against saving the future of his friend.
He trashes the women’s community centre, concentrating his anger on the paintings of the Yolngu’s totem animal, the crocodile.
In communities where petrol sniffing is endemic, elders are concerned that there will be no-one to pass on this knowledge.
He lights a cigarette, which ignites his petrol-soaked sleeve and starts a fire in the Centre. Botj is shown lashing out at his totem, Baru the saltwater crocodile.
Instead, Yolngu Boy does its best to examine the tensions between Western and Indigenous cultures, and the task of securing a rightful place in the world.
As engaging and wonderfully warm as some of the moments they create on the screen are (they have the most infectious smiles I have ever seen), these untrained actors are asked to do much in carrying the film as a whole. It is mandatory to procure user consent prior to running these cookies on your website. Yolngu Boy is about the coming-of-age of three Aboriginal boys in Arnhem Land who inhabit two cultures at once - that of North-East Arnhem Land and … The film depicts coming-of-age story about 3 Aborigines teenagers. Botj’s self-destructive behaviour is linked to a sense of alienation from the community. Podului 46 One only has to consider the level of detail in the many references throughout the film to traditional objects, symbols, and totems. Sniffing petrol damages the brain, heart, lungs, liver, kidneys and immune system.
The National Film and Sound Archive of Australia acknowledges Australia's Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present. He then lights a cigarette. Like Botj, petrol sniffers may also experience lack of coordination, disorientation, hallucinations and aggression.
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