“I want to decolonize the screen,” Mita says in the film. Entries for each day are listed alphabetically by surname. The Pākehā bias in all things recorded in Aotearoa was never questioned. A Māori marcher states that he is supporting “our brothers – they’re suffering, same as we’re suffering here”, while protesters are accused of being “nigger lovers”. She will be remembered by us for these and many other achievements — and as a contemporary of Tungia’s and, with her, part of the cutting edge of NZ filmmakers, Maori filmmakers, and ‘activists’ … when there was real risk in being so labelled.
The reverberation of the 1981 protests is captured in Leanne Pooley’s documentary Try Revolution (2006). “Seven out of the 10 highest grossing New Zealand films have a Maori key creator or feature heavily Maori content, so that’s progress,” says Mita.
A collection of Māori and Pasifika short films curated by Leo Koziol (Ngāti Kahungunu, Ngāti Rakaipaaka), Director of the Wairoa Māori Film Festival, with guest co-curator Craig Fasi (Niue), Director of the Pollywood Film Festival. 10:45 PM PST 2/10/2019 was agitprop activism: “I was asked repeatedly if I thought I was the right person to make the film, or why I was making it. was also a morale booster for the African National Congress. Scott Roxborough Tom’s efforts to help […]. Cambridge Analytica’s extensive dirty tricks shopping list exposed, Goosebumps! Choking on one’s own sanctimony (I think Juana has ‘issues’ with me), Kieran Trass: last week ‘property guru’, this week ‘property genie’, There goes the whole appeal of Facebook for some personality types … well, not really, The Internet, Robin Hood, and his Merry Men.
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EMAIL ME, For most of the world, says documentarian Heperi Mita, New Zealand seems “a utopian paradise, the backdrop to the Lord of the Rings.
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God, I wish my Mum were here to give me, and all of us, guidance on how to go forward.”. From Mihi Murray’s perspective/background on Patu! The youngest of Merta’s six children, Heperi grew up in Los Angeles, a world away from his mother’s early life in Bay of Plenty, New Zealand. …. Mita didn’t disagree with the accusations that Patu! The completed film, now 110 minutes long, was a record of heroism for the liberal left in New Zealand. Combining footage from his mother’s films with home movies and personal interviews with his siblings, Heperi Mita presents a strikingly personal portrait of a woman whose personal experiences — of domestic violence, racism and social exclusion, but also of community, motherhood and family — directly informed her work. The reason I was asked the question was that some people told me they feared that the film would not be accurate because it would have a Māori perspective! Likewise, her film about the occupation of Bastion Point — which, as a Wellingtonian I first heard about in a song from the Topp Twins — “Bastion Point is Maori Land…”. A typical entry lists information in the following sequence: Name, age, country of citizenship at birth, subsequent country of citizenship (if applicable), reason for notability, cause of death … They are a loving whānau whose testimony reverberates with the conviction that their mother’s fierce maternal instinct was integral to her work as a fighter, mover, shaker, mentor and artist of abiding international significance. Sitemap | His first film is a remarkable accomplishment, a compelling Great Woman portrait that speaks intimately from personal experience. Film director Merata Mita also acted — here in 'The Piano' (image: stuff.co.nz). Canon Hone Kaa implores New Zealanders to address racism at home. Linking to sources — why it’s vital for credibility (Case study: property spruiker Sean Wood), Implications of recent internet gagging attempt, On narrow social focus and moral taste buds, Had to happen: iPad approved for flight plans, Nice work – How to speak New Zillund at the Rugby, Scott Adams – on ‘legal’ use of Dilbert cartoons.
By the time the pioneering indigenous filmmaker and activist Merata Mita died suddenly in 2010, she had packed an extraordinary amount of action into her 68 years. She was a trailblazing activist who broke taboos in New Zealand by speaking openly of racism and domestic violence, both on national television and through her films, most notably in the documentaries Bastion Point: 507, about the native struggle for land rights — brutally suppressed by the local authorities — and Patu!, in which she links the fight for Maori sovereignty with the anti-apartheid cause in South Africa. The truth that Mita reveals in his debut film, Merata: How Mum Decolonized the Screen, provides a corrective view to the idealized image of a land of Hobbits and social justice. Heperi is the first to acknowledge that he grew up in the best of times, when Merata and his father Geoff Murphy lived in Los Angeles and Hawaii.
Really? For those those who doubted the impact that a bunch of righteous Kiwi stirrers could have on the internal politics of a country half a world away, a salient fact should be remembered. This story first appeared in The Hollywood Reporter's Feb. 11 daily issue at the Berlin Film Festival. recorded the intensity of the anti-Tour protests. Though the protests sought to highlight the plight of black South Africans, the conflict surrounding the tour ultimately exposed the racial divide in New Zealand. The revolution isn’t just running out with a gun. Presented by Miss Conception films, who focus on female-led stories, this fresh dispatch from the heartland introduces two legendary shearers – and three in the making – as they head for black-shirt glory at the Golden Shears. The former, of course, are fictional.
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This up-close, vividly illustrated career survey places one of the world’s most sought-after film editors (and key Baz Luhrmann enabler), Jill Bilcock, in the spotlight she so rightly deserves. You can get that? Māori and Pākehā, children and grandparents, gang members and clergymen, in a moment of rare consensus, stood together to affirm shared values. Morgan James slam dunks another big song, Making a pig of it. /*
“But we still have major problems with representation, we are still stumbling ahead. All rights reserved. But for Heperi Mita, Merata was, first and foremost, his mum. Insurance against DISGRACE?
About Our Ads about the civil disobedience protests around the 1981 Springbok Tour and was filmed and compiled in the face of awful opposition — almost like a war — from many sides, some unexpected, but also with the support of many brave souls who shared her vision. Merata was a contemporary, mate and colleague of many in what we used to call the ‘Maori Rights’ movement … but so much more. It was only after her death in 2010, when Heperi Mita took up a job as a film archivist in New Zealand, that he began digging through his mother’s past and deciding, “as a way of coming to terms with my own grief,” to bring his mother’s story to the screen. “She’s taking about how she had to lie about her Maori identity, take on a European name, to find housing, how she juggled three jobs to support her children, about her own experience with abortion.”.
The following is a list of notable deaths in May 2010.. If her youngest son Heperi Mita became a film archivist and a filmmaker in order to discover the stories she did not live to tell him, then we in Aotearoa have something new to thank her for. Plagiarism, copyright infringement.
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