[17] Additionally, Cicero seems to imply that either Hebe or Ganymede, who is typically seen as her successor, could serve in the role of cupbearer at the heavenly feast. [40] Aelian also refer to Hebe being worshipped in a temple that was adjacent to a temple dedicated to her spouse Herakles in an unknown location. Another title of hers for this reason is Ganymeda, meaning "Gladdening Princess". "[4] He also described the cult of Hebe around the sanctuary: In art, Hebe is usually depicted wearing a sleeveless dress, typically she was depicted with either one or both her parents, at her wedding ceremony, or with Aphrodite. Especially in America, figures of Hebe continued to be popular in the late 19th century and early 20th century for garden fountains and temperance fountains, and statues were widely available in cast stone. 46 (trans. [33] Although nothing is known about these deities beyond their names, there is a fragment by Callimachus that makes a reference to Eileithyia, Hebe's sister and the goddess of childbirth, attending to her while in labour.[34]. In Euripides' play Heracleidae and in Ovid's Metamorphoses, Hebe grants Iolaus' wish to become young again in order to fight Eurystheus. One confirmed depiction of Hebe with wings, as determined by the Η above the figure's head, on a cup by Sosias. Symbols: Her Roman name was Juventas, the Latin word for "Youth". Hebe (/ˈhiːbiː/; Greek: Ἥβη) in ancient Greek religion, is the goddess of youth or the prime of life[1] (Roman equivalent: Juventas). [23] This version of Hebe's paternity is referenced by American author Henry David Thoreau in his work Walden, where Hebe is described as the daughter of Juno and wild lettuce.

[23] Additionally, lettuce was associated with death, as Aphrodite laid the dying Adonis in a patch to potential aid in his reconstruction. In a rare, alternative version of Hebe's conception, her mother Hera became pregnant merely by eating a lettuce plant while dining with her fellow Olympian, Apollo. [26] The bride sits in the centre of the scene on a stool and is surrounded by her friends who prepare her for her wedding as her mother, Aphrodite, oversees the process. Ares and Hebe here are represented as the product of a legal marriage, reinforcing the sacred marriage between Zeus and Hera, which gives an example of a prolific marriage to the mortal pair shown in the centre of the eastern frieze. Hebe was the patron of brides, due to being the daughter of Hera and the importance of her own wedding. [56] This had no accompanying eagle, but including the bird was a challenge accepted by several later sculptors.

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